Begin with the raw sound, the rhythm, pulse then music, then text, then narrative , then images. (It really is conventional filmmaking in
Das Rheingold- the primordial soup, the river of flowing sound.
James Turrell NGA performance- drone and light
Bach-St Mathew Passion
Is there a place for dance/movement
Musical QUARTET as a model for film making
Exploring unconventional workflows- grid stuctures for improvisation
Improvisation models, frameworks, musical/narrative maps- Storygrid??
Film makers : Lynch/Innarutu/Tarkovsky/Bergman/Glazner/
Dogma manifesto approach
No absolutely defined role is assigned to anyone.
Korngold- broad strokes. Improvising to the actual film.
Integrated and seamless film making process.
Overarching guiding concept- maybe best with rough storyline in place?
It is normal practise for writers to work whilst listening to music, any music that helps them to get into a freer state of mind (our
writing task). What if the music that was used was actually the music for the film?
Developing frameworks for collaborative filmmaking and improvisation
Start looking for literature and examples.
Using the right piece of music in a scene, Scorsese has stated, adds "an extra dimension, a sense of mystery, of life beyond the frame,
that it would not have had otherwise."
This blog is my process journal for my Master's course at AFTRS