So a seismic shift has occurred since the last blog post; i am now working on exploring the relationship between the single instrument score and the portrayal of an (isolated) protagonist. The 'isolated' part I'm not sure totally fits with what I'm wanting/needing to say, need to think further on this....
The key films I'm currently referencing are:
There are bound to be others but that is plenty to deal with for the time being.
We have Harry Lime, William Blake, Riggan Thompson etc
This blog is my process journal for my Master's course at AFTRS